The great wall movie with matt damon
In “The Great Wall,” though, the bodies are divided into two distinct, oppositional configurations: the raw and the cooked. This transformation obviously takes on sinister meaning when such formations are adapted for, say, Nazi propaganda, as demonstrated in the film “ Triumph of the Will.”
In such formations, bodies are abstracted into larger geometric shapes and people transform into a collective mass ornament. At times the effect brings to mind the German theorist Siegfried Kracauer’s ideas about Berkeley-like revues or, as he wrote in 1927, “indissoluble girl clusters whose movements are demonstrations of mathematics.” “The Great Wall” flirts with romance and bleats out a little propagandistic blather about the benefits of bilateral action, but the focus throughout remains on multitudes of shifting, surging bodies - human and beast, digital and not - that, as they ebb and flow, resemble a Chinese military pageant and a lavish Busby Berkeley number. He may be the headliner, but he’s also just one of this movie’s many, many whirring parts. Damon, wearing hair extensions and employing an on-and-off Irish accent, looks uncharacteristically ill at ease during much of this. Willem Dafoe, the whites of his eyes shining, is there, too, slinking around as Ballard, a Western prisoner who long ago also sought the black powder. He and a sidekick, Tovar (Pedro Pascal, from “Game of Thrones”), end up at the Great Wall, where after some macho posturing and chest thumping, they join forces with the wall’s guardians, including an English-speaking military genius, Lin Mae (Jing Tian) an adviser, Wang (Andy Lau) and an assortment of supporting glowerers (Hanyu Zhang, Eddie Peng Yu-Yen and Ling Gengxin). Damon), who’s trying to find what he calls “black powder,” a.k.a. The threadbare story turns on a swaggering mercenary, William (Mr. The whole thing plays out as if it had been thought up by someone who, while watching “Game of Thrones” and smoking a bowl, started riffing on walls, China and production money.
Set once upon a time, the movie spins a legend that never was: Every 60 years, slavering creatures emerge from beyond to sharpen their teeth on human bones and stuff their bellies on meat. The actor also addressed the film's accusations of whitewashing and stated that he "saw the movie as the exact same plot as 'Lawrence of Arabia'" where an "outsider comes into a new culture, finds value in the culture, brings some skill from the outside that aids them in their fight against whatever and they're all changed forever.Snarling digital monsters, a glowering Matt Damon and battalions of unfaltering Chinese warriors mix it up in “The Great Wall,” a painless, overstuffed spectacle that works overtime as a testament to China’s might. I hope to never have that feeling again," said Damon. I am definitely going to die here, but I'm doing it.' That's as sh*tty as you can feel creatively, I think. It's the up-at-dawn siege on Hamburger Hill.
#THE GREAT WALL MOVIE WITH MATT DAMON PROFESSIONAL#
"I came to consider that the definition of a professional actor, knowing you're in a turkey and going: 'OK, I've got four more months. She calls the movie "The Wall" and when Damon attempts to correct her, she responds by saying that "there's nothing great about that movie." In addition to the movie's critics, Damon's daughter also thinks it's terrible.
ĭamon's thoughts: The award-winning actor told Maron that the film "doesn't cohere" and "doesn't work as a movie," according to The Hollywood Reporter.ĭamon also stated that director Zhang Yimou was pressured by Hollywood producers to change the film and sacrifice his original ideas. Matt Damon appeared as a guest star on the "WTF with Marc Maron" podcast and acknowledged that "The Great Wall" was a terrible movie.